What I
loved most about the film was the insight into Grandin’s world, taking the
audience inside her mind and the way she visualizes things by using a series of
snapshot images that pop onto the screen the same way that they pop into her
mind. A great example of this is when
she attempts to enter a supermarket with automatic sliding glass doors. Images
of a guillotine keep popping into her head, preventing her for entering the store
and forcing her to instead shop at a small mini-market across the street. In
one scene she gets off a plane and the sounds and sights are heightened, the
screeching whirr of the propeller, loud greetings, the blazing desert heat, all
to capture how overwhelming and unbearable simple daily activities can be to
someone with autism. But Temple never let these roadblocks stop her. Very noteworthy is the way in which she deals
with her panic and anxiety with the invention of a contraption she designs to apply
pressure by squeezing her when she goes into sensory overload, so typical of
autism. What is so admirable about Temple Grandin, and is conveyed brilliantly
in the movie, is how unapologetic she is about her disorder as she plows
through life. She credits autism for her achievements, arguing that her
hypersensitivity and the unique way in which she sees things is what allowed
her to be so in tune to animal sensibilities.
Overall
it is an inspiring story that is dramatic but at the same time charming and
offers a wonderful glimpse into the mind of someone with autism. So much in
line with Temple Grandin herself, this movie sends a great message about
autism. You ought to watch it.
Daniel
Adatto, BCBA
I’m trampled by your contents carry on the wonderful work.republicpress.net
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